Winter! Jazzmen, triumphant … What are they doing? Yes, like everyone else – freeze and think. And they have interesting collaborations and very beautiful, chamber works. So, once again loud archival research, unexpected duets and bold treatment of the classics.
November »The famous Polish composer, pianist and festival organizer, Krzysztof Kobylinski, collaborates with many American jazz stars: everyone is delighted with his music. This is said by Randy Brecker, and Mike Stern … It is clear that Polish jazz has deep and powerful roots – I’m generally silent about classics — history and so on. It is more important that it is completely European in spirit – coldish, melodious, academically accurate and ethnically spiritual. In this sense, Kobylinski and the Frenchman Eric Truffaz combine perfectly … he is a soloist here, which happens to him infrequently. Continue reading
Jazz is an abundant genre. Lush orchestras, lengthy improvisations, duels of soloists, wriggling rhythm section and the like. But not always the more, the better. When jazzmen consciously limit themselves, sometimes, it turns out a miracle. So sometimes a simple piano duet can sound broadly, like an orchestra. Today we have selected several albums for you, where only two instruments create a whole universe of sound and drive.
Charlie Haden & Brad Mehldau “Long Ago And Far Away” Two epochs of jazz. The great double bass player Charlie Hayden and the popular pianist and innovator Brad Meldau collaborated a lot when they met back in 1993. Hayden praised the young jazz star in every way, and Meldau, of course, bowed to the double bass player, especially noting – which is not surprising – his epochal free albums with Ornette Coleman. Continue reading
Making music is the most human and human occupation in the world, but in recent years, artificial intelligence has also begun to play on this field. Algorithms are involved in almost every stage of musical production – from creating beats on drum machines to writing the melodies themselves, which can hardly be distinguished from people’s creations. Now AI is starting to work in mastering, and this raises the question of the need to use qualified specialists in one of the most difficult areas of music production.
Mastering is the final step in post-processing audio, and its task is to make the final track sound balanced no matter what you listen to: even in Spotify, even in iTunes, even on disk. The purpose of mastering is to create a solid, coherent musical experience, leading the listener from song to song. Continue reading