Classics do not die because they play it all the time. And they play it because it is a classic. Iron logic. But in fact, in fact: each generation finds something of its own in well-known works. At the same time, interpretations may differ radically even from one performer. At the beginning of winter, a number of curious recordings appeared of both young musicians and luminaries, who throughout their life had been thinking about a certain piece.
Seiji Ozawa, Tokyo Opera Singers, Mito Chamber Orchestra “Beethoven: Symphony No. 9 ”The last phrase is, of course, about Seiji Ozawa, an outstanding Japanese conductor, who made another recording of Beethoven’s textbook of the ninth symphony. This is the one where “Ode to Joy.” Ozawa played several times (including the opening of the Olympic Games in Nagano) and recorded (the symphony became his debut for Philips in 1970) is an amazing piece, where light pathos is combined with a large-scale plan, and the richest and whimsical orchestral fabric with hit tunes. Ozawa is the super conductor. His musicians play like a clock, only with a soul. Continue reading